Saturday, October 6, 2012

The Royal "WE" - hahahahaha!

 

Boothby Coat of Arms from Debret's Peerage 

I have been missing in action from this blog because I have fallen down the Ancestry.com rabbit hole... I have been researching my family's roots, with an eye toward writing a substantial piece based around an idea I have... but of course, I have to complicate everything and come up with some big sprawling epic story so it may never come to fruition.  Still, it's fascinating to find out that my father was NOT telling one of his tall tales when he claimed that his side of the family descended from many kings and princes, going back to Charlemagne and beyond!  Yes, people, my blood is a very, very, very diluted shade of palest blue! Time to kiss my ring! HA!

 I find this somehow very amusing, as I have always claimed that I come from "sturdy peasant stock" - which for the most part, I am sure that I do.   Still, since one of my ancestors was Lord Chief Justice of all of England in the middle ages, and another was King of Leinster in Ireland, I have become obsessed with reading up on medieval England and Ireland... so that makes it hard to find time to post regularly on THIS blog. But maybe that's all for the best.  The whole point of setting this page up was to get me back to writing regularly... but every good writer has to do enormous amounts of reading - and that's what I have been doing. Maybe I will write some great historical novel.  At least doing all of this research will keep me some of my gray matter from completely atrophying.  And I have to say, it's really fun to find out where your family comes from!

It's amazing to live in the age of the internet - and Amazon.com Prime - so that much of the information I need is never more than a keystroke or a 2-day UPS delivery period away.  Still, I think I may just have to find a way to get myself over to the lands of my ancestors and do some digging around in older "source materials"... who knows what I may find? For now, I will have to content myself with my background reading, and there aren't enough hours in the day to read everything I have already dug up.  So back down the rabbit hole "we" go!

Ancient la Zouche coat of Arms - my ancestor Lucie de la Zouche had the bluest of blue blood...




Ashby la Zouche castle ruins


The coat of arms of the ancient de Greene family - from which I directly decend: 






Sunday, September 2, 2012

It's too beautiful...

IT'S TOO BEAUTIFUL TO SIT INDOORS WRITING

...so I have brought my laptop outside where I can feel the breeze, see the sunlight glinting off the ever-changing ocean, and hear the waves crashing.  The tide is in so there are no surfers in the water, but they will be back later this afternoon when conditions improve.  I have been reading voraciously and mulling over ideas I have for a long piece I would like to write... consequently, this little old blog has not been a priority, but since the weather gods are smiling, I think if I plop myself at this table under an umbrella, maybe I will have something worth posting.

... and just now my daughter has come out onto the deck to ask if I will come inside on this gorgeous day to watch a television show with her.  I sigh loudly inside, but I know better than to do so audibly.  Chloe is 14... and it's still something of a miracle that she asks me to join her in any kind of activity - so even tho' she is asking me to stop writing to go indoors into a darkened, air conditioned room on a spectacular sunny day, I am going to fold up this laptop and go.  I know my chances at closeness with my daughter are limited.  I won't squander a moment of these dwindling days of her need for me.  So ciao for now, my writing muse.  I trust you will return tomorrow... or at least the next time the fog rolls in.

Saturday, August 25, 2012

SAME SCENE, DIFFERENT ANGLE

More old stuff... written on location in Spain while I was there working on a film many years ago.  Back in the late 80s/early 90s, my beloved friend Carrie White -- celebrity hairdresser and now bestselling author (Upper Cut, the L.A. Times besteller!) -- used to host regular poetry readings at that dearly-departed, ultra cool hangout in West L.A., Lulu's Alibi.  I had the confidence of youth and thought I had something to say, so I often read my little bits o' verse at her poetry happenings.  Carrie always had themes for each week, and while I can't remember what the theme actually was for the week I read these two pieces, it could have easily been SAME SCENE, DIFFERENT ANGLE:

MELTDOWN
He treated her
as the womanchild she was
plying her with sweets
and grown-up conversation.
She was enchanted,
though aware it was fantasy,
adult eyes seeing clearly
that he would always return
home to another
despite his gypsy soul,
or perhaps because of it.
Still, tears streak her face,
make-up rivulets dribbling
like the illicit ice creams
down the side of her life.
The frustrations of a child,
the appetites of a woman...
She'd learned in kindergarten:
don't take what isn't yours.
 
      -- written in 1989


A GIRL LIKE YOU
A girl like you
should have a guitar
so men could serenade you
up close, not from afar

A girl like you
should have her own fleet
to conquer the world
and lay it at her feet

A guy like you
should go home to his wife
stop writing cliched poems
and face up to his life

A guy like you
should quit wasting time
on a girl like me
who knows all your lines
       
    -- written in 1989





Tuesday, August 21, 2012

Beanie Baby departs

                                                        Where's Waldo?  Where's that beanie headed?        


                                                                             MY BEANIE BABY DEPARTS

Tomorrow, my firstborn, my son Nick, will move out of his cluttered, pungent-smelling teenage boy bedroom and into his Freshman dorm room at USC.  I am trying to remain calm by keeping busy and not really letting the facts of this inevitable situation sink in yet.

I think pretty much every mother facing the departure of her first (and more frequently, it seems, ONLY) child goes through some pattern of emotional turmoil: recollecting the miraculous sensation of your child moving inside your belly, remembering the day the kid was born “like it was yesterday,” rifling through photos of his childhood -- either literally or mentally -- lamenting to anyone who will listen about how quickly the years have flown by... It’s helpful to commiserate with other parents facing the same scenario because nobody else really wants to hear your whining about how much you are going to miss your kid.

But, oh, how I am going to miss my kid, my Nick, my Beanie Baby. Anyone who knows Nick well will understand the “Beanie Baby” reference.  Up until very recently, Nick wore a red and black checked beanie everywhere, every day, all the time.  The SAME beanie... every day for over five years.  (See previous post “My Beanie Baby” for further background, if you care to... )  So even though the beanie is no longer ever-present, Nick will always be My Beanie Baby in my heart.

When you send a child off to college, you hope to hell that you have done your best to prepare him for the bigger world out there.  And you know you have not done enough.  At least I know I haven’t.  I have over-protected Nick and his sister Chloe. I have certainly over-indulged them (with a lot of help from my accomplice:  their dad, my husband Gary).  I have tried to give them the life I wish I could have had as a kid.  Some of it has been for the best, some of it has probably served to keep my kids unprepared for “the real world.”  But all that I did was done with an excess of love.  I gave up an exciting career and innumerable dear friends in Los Angeles to move to Minnesota for Gary’s new job when Nick was an infant, all in an effort to give my boy the best life possible... I have poured my heart into both of my kids and have probably put too much of my energy into them - to the point that I am not sure who I am without them... so subtracting Nick from the equation is going to throw my life off balance for a time, no question about it. 

It’s a parent’s job to raise kids and send them out into the world - but somehow when that time comes it’s still a shock.  I hope I have helped my son establish enough of a sense of himself for him to forge his own path... without screwing things up before he even gets out of college.  I barely held it together when I left my parents' nest and went off to UC Berkeley, too naive and unworldly to feel secure.  I immediately fell into a pattern of heavy drinking to mask my self-consciousness.  Nick is very much like me - so of course I worry.  I guess only time will tell... but it’s now up to Nick to succeed or fail on his own.  No Mom and Dad there to smooth his way or help him out of jams. I truly WANT him to move on to college and have an unforgettable, amazing time.  The hour has come for me to let him go - but he’ll be forever tethered to my soul.  I am not sure how ready I am for this transition, but I will do my best not to mortify him by falling apart when I finally walk out of his dorm room tomorrow.  I’ll report back on how that goes... 

My Beanie Baby


My Beanie Baby

It was bound to happen... somehow I thought it might be some drunken frat rat at USC who took my kid’s beanie after he started college this fall.  As it turns out, it was probably a fellow concert-goer at a Waaves show that took place at the Del Mar Fairgrounds right after the horse races a few weeks ago.  What’s the big deal about a hat?  Plenty... 

My “kid” Nick is 18 years old, 6’4” tall, toothpick thin, with a fantastic mane of tangled red-brown hair that flows down to his waist.  When he was in 7th grade, he took to wearing a little pork pie fedora.  At that point, Nick’s hair was not yet touching his shoulders.  He started to be harassed on the bus riding to and from middle school -- for daring to express his individuality, wearing a hat and growing his hair (“You look like a girl!  Are you a girl?” and other such BS that adolescent boys sometimes say to anyone who dares to be at all different).  Nick didn’t like being picked on, but he was determined not to give in to peer pressure.  He had fallen in love with rock music and wanted to look the part of the musician he aspired to be.  He had begun to take drum lessons in elementary school and it awakened a sense of purpose in him.  He kept going to his drum lessons and tried to ignore the bullies on the bus.  Then some kid whose name he didn’t even know slammed his head into a table at school and everything started to go south.  Nick kept the hat on, but he hid in his room, feigned illness, balked at riding the bus, said he hated school.  He was in a bad place. This is the age when parents know their kid's future is at stake.  If they check out emotionally, you may never get them back on the path to health and happiness.

My husband and I knew something had to give.  We had to find a safe haven for this kid.  We found an amazing little independent boho school (and I do mean little: 135 kids TOTAL enrollment, grades 6-12) which was willing to take him with only 7 weeks left in the school year.  I told the headmaster that I needed Nick to be somewhere that he could feel safe being himself, and I thought that if this school stuck to their dress code and told Nick he could not wear his hat, that might be a deal breaker.  This kind man made an exception for my struggling son - the hat stayed... and so did Nick.

Over the summer before 8th grade started, Nick came upon a red and black buffalo plaid Billabong knit beanie at a surf shop near our home.  He decided this would be the basis of his new image.  He donned that beanie and never looked back.  It became his signature, his trademark.  He never took it off.  When I realized I would from time to time have to wash it while he slept, I decided to see if I could buy some back-up beanies, just in case - God forbid - something happened to Nick’s favored hat.  The surf shop had only one more of that same beanie left, so I bought that, then went online.  I had some vague inkling that this beanie was so central to Nick’s self-image that having extras might come in handy some day... I supposed that maybe I would stage a photo with a bunch of his friends all wearing the cap, something like that.  I just thought it would be a good idea to get more.  So I bought 10.  We now had a round dozen... that should be enough!

But as time went on, it became clear that none of the “back-up beanies” would ever be worn.  Nick attached some sort of magical powers to that original beanie.  It had been with him to some of the most important events in his life:  The Led Zeppelin reunion at the O2 in London, our 2-week family trip to Italy, 3 years at Grammy Camp, and covering the red carpet as the official Grammy teen reporter at the 2010 Grammy Awards... (backstage in the pressroom, Grammy host Stephen Colbert called on Nick with: "You, in the hat"!)  He was invited to be motion captured for one of the Guitar Hero games - and there’s his avatar, sporting the beanie. Nick drummed onstage at the El Rey theater in L.A. during a Grammy Camp showcase, and met countless famous musicians he admired, all while wearing his beanie. (Lucky kid had a dad in the business and got to see lots of shows from side stage). Nick became recognized by many of the rockstars he idolized as “the kid in the beanie” even if they didn’t know his name. 

As the years went on, Nick seemed to think that the hat carried some kind of karma... it was the keeper of his most treasured memories.  The more frayed and faded and snagged the cap got, the more Nick loved it.  This beanie had lived life with him. It was his lucky charm and his signature piece. It was both baby blankie and talisman. He could not leave the house unless that damn hat was on his head, and many mornings were spent with me yelling that it was time to leave for carpool while he raced around tearing apart his bedroom, looking for the beanie.  Once he had it on, all was right in the world.

And now the beanie is gone... whether it was actually snatched off Nick’s head or accidentally brushed off by another moshing teen, it doesn’t really matter.  Nick and his buddies looked on the ground and on other heads for it, but it was nowhere to be found.   They filed a late-night report at the fairgrounds Lost and Found, describing the beanie in detail -- sweetly naive to think someone would turn in a stretched out, discolored, unraveling hat. There are plenty of fans of his bands here in San Diego who might have wanted a keepsake of the wild-haired drummer -- maybe one of them was at that Waaves concert and took it for themselves.  Who knows? My belief is that the beanie either made its way into some knowing kid’s pocket or into the garbage after being found on the ground by the clean-up crew. 

Nick’s been mourning the loss of his “old friend” a bit, but he’s also been surprisingly OK... donning a new, never-worn duplicate beanie that was stored away in a drawer, as well as other hats here and there, but he’s also been going out bare-headed, with no cranial “armor” to speak of.  He’s becoming more and more OK with the idea of simply being NICK, not just the kid in the beanie.  Just in time for college... I guess it was time for a change. 







My Robert Plant Moment

(Author's disclaimer: Yes, I know there are problems with verb tenses switching in this essay - I will fix that... eventually... or not!!!)

MY ROBERT PLANT MOMENT

Many months after we attended the 2007 Led Zeppelin reunion concert in London, my husband Gary and I were lucky enough to be T Bone Burnett’s guests at the Robert Plant / Alison Krauss “Raising Sand” concert at the Greek Theater in Los Angeles.  Gary and T Bone had been meeting over business prospects during the previous months and  had become friendly - so we were welcomed onto his tour bus/dressing room prior to the show.

T Bone has a well-deserved reputation and one of the best producers in the music business, but he’s also a fantastic guitarist and was playing in the band for the tour.  He looks like a southern gentlemen from some bygone era, a riverboat gambler... Tall and fair, with a southern drawl and a laconic way of speaking, he has this wonderful out-of-the-past presence about him.  His knowledge of arcane music history is mind-boggling.  We were having a great conversation with him when there came a knock on his tour bus door, and who should pop in with a “Hello, Henry!” -- but Robert Plant. (T Bone’s birth name is Joseph Henry Burnett).

Having spent decades working (and playing!) around the film and music businesses, I am not easily impressed by celebrity. I rarely get nervous. I don't confuse talent with character, and I have many famous friends and acquaintances:  Emmy, Oscar and Grammy winners, and a good smattering of Rock & Roll Hall of Famers among them. But c’mon, this is Robert Plant!  For most women of a certain age, there is no way to avoid experiencing heart palpitations when he enters the room - or in this case, the very close confines of an over-air-conditioned tour bus. 

The golden god himself comes in and seats himself on the forward bench across from my husband, just diagonal from where I am perched.  He is wearing cowboy boots... that much I remember.  The rest is something of a blur.  He is charming and funny.  My husband Gary reminds him that they have met before when Gary arranged for his company to sponsor the Page/Plant Unledded and No Quarter tours.  Plant graciously says of course he remembers Gary.  If he doesn’t, he’s covering well.  I have had my photo taken with him and Jimmy at cattle calls backstage before various shows, but there is no reason he should recognize me, nor does he appear to.  I am just one more aging blonde in a never-ending sea of aging blonde fans.  

There’s a great deal of gray mixed in with his own blonde hair now, and there are sizable bags under those blue-green eyes... eyes that so many girls teenage girls dreamed of gazing into (OK, I'll admit it, myself included). Plant does not appear to be one of those skin-cream-slathering metrosexual rockers who fight the aging process. He’s grizzled, he’s weathered, his face and body are lived-in.  What could be more sexy? There are still strong traces of his black country roots in his reedy voice. There's no arrogance about him on this bus. He's a man who is comfortable with who and where he is. 

Uncharacteristically for me, I sit quietly. I'm not really nervous, but I don't want to just blither either.  I mostly listen to the chit chat between T Bone, Plant, and T Bone’s lovely lady-friend (now wife), the Oscar-winning writer (Thelma and Louise!) and director, Callie Khouri, who frequently comes and goes from the bus, as she is apparently tending to other guests backstage.  (How did we get so lucky as to be the ones on the bus?!!) Gary and T Bone and Robert Plant start discussing sleep problems they are all experiencing as they age.  They decide they should all go to a sleep clinic one of them knows about.  (For years to come, Gary will jokingly tell people, “Robert Plant asked me to sleep with him!”).  They are talking like a bunch of old guys and I can hardly stand it.  I want to shout, “NO! Stop this geriatric talk... you are Robert Plant!" 

I want to jump into the conversation, not to actually say that, but because there is something else I feel compelled to tell Plant. When there is a lull, I take my chance and say, “I just wanted to tell you that we were at the reunion show at the O2 and it was one of the greatest nights of my life.”  Plant lets out an exasperated sigh.  No, “Oh, thank you, yes, that was an extraordinary evening, wasn’t it?”  Instead he grumbles something about being unhappy about having done the show. I plow on, “Well I thought it was fantastic. We got to take our 13-year-old son with us and none of us will ever forget it.”  Gary chimes in with more positive feedback on just how amazing the concert was for everyone there.  But Plant is not swayed from his negative tone: “Well, it brought out all of the carnival barkers, didn’t it?  Now everyone is insisting we tour.”  Ah, so that’s what it’s about.  Other band members and all of those who serve to benefit from the HUGE income such a tour would bring have not stopped pressuring Plant, the hold-out, about cashing in.  He goes on to tell us something to the effect of (it’s been awhile since this conversation took place, so I can’t be sure this is what was said verbatim!): “I am not 23 anymore!  I can’t do that every night.”  He tells us that a special bass had to be made for John Paul Jones so Plant could sing in a lower key.  But I sense that it’s not just that it’s hard for Plant to hit all the notes anymore. My impression is that he doesn’t want to be bored doing the same thing and he doesn’t want to make a fool of himself or Zeppelin. Plant wants to leave the band’s legacy intact. 

He grouses a bit more, then says, “well, but there was one thing...”  And he proceeds to tell me a story I will not soon forget.  (I check the details out later with former Zeppelin tour manager, Richard Cole, who happens to be one of my closest friends.  Yes, that Richard Cole, the notorious instigator of many of Zeppelin’s most outrageous antics back in the day. He’s a pussycat now, clean and sober many years, and I proclaim my affection for him proudly.)  

The story Plant tells me - paraphrased from memory, of course - is this: “One of my best mates was really ill...”  Plant’s friend was dying.  When Jimmy Page broke a finger and the concert date had to be moved back by several weeks, this great pal of Plant’s managed to hang on.  Plant recounts what happened: for the day of the show, December 10, 2007, he arranged for a couple of male nurses to watch over this friend.  (Richard Cole later tells me that, in fact, it’s his understanding that the man was so ill Plant had to have him flown in by Medivac helicopter ambulance).  They set this pal of Plant’s up next to the sound board.  After the show, the nurses both handed Robert Plant back their paychecks.  The conversation, as best I can recall Plant relating it, went like this: “We can’t take this money from you.” And Plant says, “oh, you enjoyed the show that much?”  And the nurses say, “Well yes, the show was great, but more than that, watching your friend watch you up there on stage was a priceless experience for us.  To see the joy he felt watching you up there was something we will never forget.  We can’t take your money." 

So here I am, a middle-aged fan of this aging rock god, sitting on a tour bus, frozen, rapt, while Robert Plant recounts this truly extraordinary tale - and of course my eyes are welling up already - and then Plant says, “and he died just a short time later.”  

I have tears brimming in my eyes - and this is when I have “my Robert Plant moment” ... I lean forward toward him and say, “look, I don’t know you... so I hope it’s not too presumptuous of me to say this:  Maybe THAT is why you did the concert. For your friend.”  Plant locks eyes with me, and seems to consider this concept for a brief instant. He gives me slight smile and a nod of his head... and then the moment is over.  He soon leaves the bus, and Gary and I follow shortly thereafter.  
The Raising Sand concert was wonderful, truly memorable, filled with a lightness and subtlety not often associated with the Plant of Zeppelin days.  But the music is not what I recall when I think back on that night. 

Robert Plant may not remember a single bit of this non-event in his life, this little conversation -- with people whose names he may never remember -- on his friend “Henry’s” tour bus, but of course I will never forget it.  The love and devotion he showed to a desperately ill friend humanized him and forever endeared him to me. 

In the midst of the enormous pressure that came with mounting a massively hyped reunion concert the whole world was bound to be fixated on, he took the time and effort to do an incredible thing to bring joy to the last days of a dying man’s life... THAT's a rockstar move. 

Friday, July 27, 2012

OLYMPIC DREAMS

OLYMPIC DREAMS

I am a sucker for the Olympics... I am watching the Opening Ceremonies right now.  I wish the NBC director would pull out for more wide shots so I could get more of a feel or the ENTIRE look of the spectacle Danny Boyle is attempting to create.  But, hey, everybody is a critic!  So if you want to criticize something, you can read over this OLD poem... written for a former flame of mine, swimmer Jeff Float (was there ever a more perfect name for a swimmer?!) after he won a gold medal in the 4X200 freestyle relay in the 1984 Olympics.  Jeff and his relay teammates had been ready to go in 1980, but because the US boycotted those games, they had to train for four extra years in order to compete for a medal.  At the time, there was not the kind of training system in place for Olympic athletes that now exists (nor were they allowed to accept the kind of subsidies and sponsorships that are now available to aspiring Olympians).  These guys were out of college and had to find ways to train without much support... at the time of the 1984 Olympics they were 23, 24 and 25 - considered ancient for male swimmers back then (Michael Phelps and Ryan Lochte are 27).  When they won, it was an incredibly moving thing. I cried watching Jeff and his teammates on the medal stand (I still often tear up viewing the Olympics). I later wrote this poem for Jeff, who, in addition to being a world-class athlete, just happens to be deaf...


TEARS IN THE EYES OF STRANGERS
(written for Olympic gold medalist Jeff Float)
Deep within each human spirit
lies a bit of greatness 
an untold excellence
waiting to be discovered.
Within us all
God has hidden a part of himself
that is perfection.
All men are ordinary.
It takes an ordinary man
with extraordinary courage
to seek out the best within himself
and reach the potential 
God gave him.
And on the rare occasion
when a man rises above his limitations and fears,
struggles through pain, self doubt and failure
to achieve even one fleeting moment of greatness,
all of mankind is enriched.
The accomplishment of a single individual
can inspire millions.
Pride swells the hearts 
of all who see the beauty and strength 
of the human spirit,
and brings tears
to the eyes of strangers.
Written in 1984

Thursday, July 19, 2012

LED ZEP RECAP

LED ZEP RECAP

Well, I am finally done with "construction" on this site... so I will start posting some things I have written - pieces old and new!  Why not start off with a recap of one of the most exciting events I have had the great good fortune to attend: Led Zeppelin's 2007 reunion in London.  Let me say that I wrote this on the plane flying back to the U.S. the day after the concert and I was still on an adrenaline high.  You will be able to tell from the opening lines that maybe there was still a bit too much adrenaline pumping through my veins.  OK, so maybe it's over the top... but it's how I felt.  It was an amazing night:

                                                                   IT'S BEEN A LONG TIME... 

We are over an hour into Led Zeppelin’s massively hyped reunion concert at the O2 Arena on the fringes of London, and the image that comes to mind as I watch 63-year-old Jimmy Page is that of a wild horse in full stride… white mane flowing, he moves with incredible focus and drive, yet total abandon.  There is a copious amount of sweat, there is even excess saliva, which in any other context might seem, well, repulsive, yet here it is anything but. This is a magnificent creature, unharnessed, pushing himself to the furthest edge of his abilities – it is a thing of beauty to behold.  He is giving us everything he has.  It brings me to the verge of tears for a number of reasons, some having nothing to do with the guitarist at all. 

It is no secret that Jimmy Page has lived harder than his two surviving Zeppelin comrades Robert Plant and John Paul Jones (drummer John Bonham having choked to death after an epic night of drinking in 1980), embodying the rock ‘n’ roll lifestyle long after Zep disbanded.  There were many years of substance abuse, visible on a face and body that grew puffy, pasty and unhealthy looking.  I saw him up close during his Plant/Page tours. I know. Gone was the pre-Raphaelite beauty of that young guitar god’s face…  And then a few years back, a rumor began to circulate that Jimmy had managed to clean up his act.  Word was he had kicked the junk and the booze and whatever else may have been his poison, and had emerged seemingly healthy and rejuvenated.  Photos of a much less waxy Jimmy Page began to appear in the press from time to time. There was talk that he was in the studio, tinkering with the songs we had grown up on, bringing them into the digital age.  The news was all good.

As I am not the type of Zep fan who tried to track the details of the band members’ lives, preferring to just listen to their music, I’ve heard little of John Paul Jones in recent years.  I had a vague notion that he was living the life of a country gentlemen somewhere in the verdant lands outside London. Robert Plant, of course, has kept up a steady career… always exploring new avenues in his solo albums and club tours, keeping himself and his fans interested in what he was doing.  His latest album, Raising Sand, with Alison Krauss, is a revelation, full of subtlety and nuances many people may not associate with Plant.  I love music, yet I hardly consider myself a qualified critic (but then who is, really – all any of us have is our opinion, some more informed than others, though not necessarily more valid), but I think this CD is wonderful.  So back to Zeppelin…This incarnation of LZ features 42-year-old Jason Bonham on drums.  His father taught him a good deal about how to play before he passed away when the boy was 13.  The son has played with many bands in his career (currently he is with Foreigner) but tonight will be the ultimate test for him.  
From the first chords of “Good Times, Bad Times” and the oh-so-appropriate lyrics, “In the days of my youth…” with which the band opened their set, the arena has been on fire.  Middle-aged middle managers from the Midlands and aging hipsters from Hamburg clap and sway and pump their fists in the air.  I look over my shoulder at some point and see that in the row directly behind me, one seat to my right, is Sir Paul McCartney. The cute Beatle is within touching distance.  It’s that kind of night.  I don’t let it cow me.  I continue to dance and sing.  David Gilmour of Pink Floyd is just a couple of rows below me, my husband and our 13-year-old son Nick (who is levitating with joy – more on him later).  Priscilla Presley, Lisa Marie and her brood are 2 rows above me.  I saw Peter Gabriel, Bob Geldof and Joe Elliott chatting in the corridor when I went to the loo earlier. (Never mind who I will see at the after party later. This place is crawling with the biggest name in the music business... but that's a story for another day). Stars and mere mortals alike are being swept away by the sound and the fury that is still Zeppelin.  It’s a cliché-inducing atmosphere, what can I say?  It is true - they are as mighty as ever.  
Robert Plant gains confidence and vocal strength as he segues into “Ramble On” and by the time he hits “Black Dog,” the years have melted away.  For 2 hours and 10 minutes, everyone is young again.  Most of the fans in the crowd are closer to the age of the band members than not, but I see that my young Nick is not alone in having been the lucky recipient of a parent’s largesse.  David Gilmour’s son is here. Sir Paul calls the young man next to him “James” and I surmise that this is his son.  At the after-party I will meet Survivor creator Mark Burnett and his 14-year-old son.  Clearly, fathers want to bond with their sons over the music that they themselves loved as young men.  None of this has to be forced on the offspring, at least in my experience.  Led Zeppelin is one of those bands whose music transcends age and crosses generations for a certain kind of fan.  Nick began collecting Zeppelin on vinyl a couple of years ago without any urging from his parents, and well before there was any hint that he would one day have the chance to see the band in person.  Who could have guessed that this night would ever come to pass? 
My eyes tear up again, looking at my son, this boy on the cusp of manhood, whacking away on imaginary air drums, sharing a wide grin with his Dad.  I know he will never forget this night, nor the fact that his father made it possible for him to be here. It is magical in so many ways.  I am so grateful to be in this place.  Robert Plant has noted from stage that the 22,000 ticket holders have come from at least 50 countries, lucky recipients of a worldwide ticket lottery entered by millions.  The couple sitting directly below me are speaking Italian.  The people next to them are French.  I have heard German, Japanese, and languages that, frankly, I can’t even identify being spoken in the arena. This united nations of rock fans is clearly bound by a love of Zeppelin’s music and a desire to see these aging musicians pull off a show worthy of their legacy. We all feel very privileged to share this experience.  There is a great vibe all around and, as the evening goes on, the sense that we are not only witnessing, but participating in, an historic event.  The newly reconstituted Led Zeppelin is performing at a level that is beyond anyone’s wildest expectations, probably even beyond the band’s expectations.  They seem as elated as the audience is at what is clearly a triumph in the offing. Jimmy Page is actually grinning. 
The usually garrulous Plant says relatively little as he moves deftly from song to song.  He pays homage to the early blues masters who so influenced the band’s music.  The set list has a few surprises, and of course some disappointments, as every fan has a favorite Zep tune they want to hear. With 10 albums worth of songs to choose from, the band cannot please everyone.  (My son is hoping for “Immigrant Song”).  After the opening trio of numbers comes “In My Time of Dying,” “For Your Life,” “Trampled Underfoot,” “Nobody’s Fault but Mine.”  Plant is the epitome of cool.  He’s in great voice and great form.  At 59, he still has the rock star moves, but doesn’t preen as he did in younger days.   He doesn’t need to.  The women have never stopped swooning.  He is clearly comfortable in his skin and wears his age well, as does John Paul Jones, who, though 61, frankly looks a good decade younger than Plant and Page.  If Jones still holds any rancor towards his old band mates, who did not invite him to play on their post-Zeppelin Unledded and No Quarter tours, it is not evident tonight.  The under-appreciated Jones is steady as ever, whether on bass or keyboards.  He and Jason Bonham are totally in sync.  “The kid” is spot on.  No one may ever hit the skins with quite the power of Bonzo, but Jason is doing his dad proud.  Another reason to get misty-eyed.  Plant makes it clear that the band members are emotional about having this young man step behind the kit, as well.  
The group powers through “No Quarter,” then “Since I’ve Been Loving You.”  Time is passing too quickly.  When Jimmy Page dons his double necked-guitar and plucks out the first unmistakable notes of “Stairway to Heaven,” of course pandemonium ensues.  This is the one song everyone has been waiting to hear, the rock epic which the boys have refused to play live for so many years.  At the end of “Stairway,” Plant calls out, “Ahmet, we did it!” – an aside to the late Ahmet Ertegun, the founder of Atlantic Records in whose memory this concert is being played.  The proceeds of the show (later estimated at $3 million) will go to an education foundation named for him which grants scholarships in the U.S., the U.K., and Ertegun’s native Turkey.
“The Song Remains the Same” and “Misty Mountain Hop” flow by, and then comes the powerful build-up of “Kashmir”.  Massive, crushing, fantastic.  The band takes their bows. The huge screen at the back of the stage spells out “Led-Zeppelin” in white on a black background.  Page, Plant and Jones have said they would never call themselves this again, as they are not Zeppelin without Bonham on drums.  But Bonham the younger has acquitted himself magnificently this evening, and there is the band’s name up in lights. Zeppelin salutes the crowd.  Jason Bonham gets on his knees and prostrates himself, worshipping at the feet of his elders, who have given him what is clearly the night of his life.  The band leaves the stage.  Everywhere I turn, I hear people saying that this is the greatest concert they have ever been to.  I have seen hundreds of live performances by the biggest rock bands out there, but I cannot disagree.  I am at a loss for words to express just how incredible this show was.  Three elder icons of rock, with a combined age of 183 years old, and one young 42-year-old whipper snapper offspring of their fallen brother-in-arms have just put on the most electrifying performance I have ever seen.  I do not suspect I shall ever see its equal or better.  Hyperbole will not suffice.
The place is wild with whistles, cheers, stomping, clapping.  Thousands of cell phones are thrust overhead as 22,000 fans demand that the band return to the stage.  Which they of course do, ripping into “Whole Lotta Love.”  Off again, then back for one more encore, “Rock and Roll,” and it’s all over.  The only thing anyone can talk about, aside from how astounding the show was, is whether the band will play again.  Will they tour?  Will other people get a chance to experience this kind of exhilaration?  Or should this one-off concert stand alone as the crowning achievement of the band’s storied career… the verdict is still out.
Copyright 2007 Carol Boothby Arnold